Trailer edit by Tamar Zehava Tabori, Music by Mana saei

Graphic design by brand director Flory Huang and Design Intern JinGYi


F-O-R-M 2022 took place November 18 — 26 as a Hybrid Festival for the first time, co-presented by SFU Woodward's Cultural Programs.

The festival featured featured movement-based films from youth and emerging artists for a seventh year, sharing exciting expressions and intersections of movement and film that embody community and culture. This year’s festival included 29 short films from 7 countries, 16 world premieres from 21 youth + emerging commissioned artists. Films were shared in the cinema, on Instagram, and on Public Screens. We hosted our annual FORMations with the help of Barangay Projects, interviewed artist in residence, Jasmine Liaw with her Technology and Interaction project, hosted Workshops, FORMing Conversations + more.


Commissioned Artists

Youth Category

Solara Thanh-Binh Dang - Sóng Xô (Breaking Waves)

At the border of land and water, the ghost of a young Vietnamese woman moves through the echoes of her country’s trauma, seeking solace in the ocean's caress. Sóng Xô is a collaboration between mother and daughter, a healing dialogue between generations.


Juan Imperial - The Meeting Place

The Meeting Place is an archival recording of three work-in-progress solos reflecting Juan Imperial's awakening into their queer, femme identity. They weave connections between land, spirituality, and ancestry with queer identity and share their ideas through writing, dance, and ritual that has brought them home to the knowledge that queerness is divine.


Lauren Brady + Thomas Kassian - Cut the Cake or Take the Cut Cake

What will Sue do when she is overcome with anxiety as she meets the ultimate dilemma at the office birthday party? Will she just cut the cake? Or take the cut cake and RUN.


Kevin Kim + Jullianna Oke + Seth Kitamura - A Conversation in Rhythm

A Conversation in Rhythm is an experimental movement film which centers around a tap dancer and a drummer in a jam session. The exchanges made between these artists in an improvised jam parallels qualities to a verbal conversation; the introduction, questioning, challenging, balancing, and most importantly, the trusting of one another. The film aims to display their unspoken dialogue as what it is, a conversation. Using traditional dialogue coverage, A A Conversation in Rhythm will accentuate the varying intensity of the artists’ movements and rhythm on film to express a scene of communication.


Emerging Category

Ankita Alemona + Raam Kumar - Prowl

Prowl delves into the journey of two huntresses' determination, fragility and willingness to fight. With slow agile crawls and fast decisive attacks, they weave intricate webs to enchant their prey, revealing the immense power, readiness and emotional preparation needed to pursue the hunt. The immense uncertainty as to whether they themselves will become prey pushes them, again and again, to prove their ability to survive in a brutal world. This piece thus visually and somatically depicts the various realities of the burden of becoming and staying ‘The Huntress.’


Pete Kytwayhat -  ᐱᓯᐢᑭᐤ


MINI COMMISSIONS

Sydney Vidler - Interacting With Water

“In my short film of movement, I chose to explore movement in water. I began to understand dance by experimenting with this concept. I started playing around with how my arms run in water, feeling the resistance, to understand the imaginary push and pull I feel when dancing out of water. I wanted to illustrate this in my film, giving a glimpse of the way dancing feels to me. This short film has deep meaning for me, and I hope that each viewer interprets the film in a way that connects with themselves.”


Chanel Hulston + Isabella Tarasoff - EQUILIBRIUM

“The idea of the human body has remained at the forefront in terms of what kind of story we wanted to tell. As dancers we’ve developed an understanding of body, spatial, and musical awareness. What would it look like, sound like, or feel like to rebel against the rules and boxes that have once limited our view on the human body? An open ended conversation that challenges physical limitations, exploration, vulnerability, and stagnant beliefs. Our film is orchestrated by visual research that’s done between the both of us in relation to the world around us, using our movement and experimental use of film to capture it for all audiences to digest.”


Aurora Jessica Martens - Crooked

Crooked is a glimpse into what it can be like to experience pain alone and learn to cope with it by yourself. Particularly young adults, who often feel like they don’t belong in their own skin. Healing looks different for everyone, and the process is always ongoing. I hope that Crooked can inspire even one person to check up on those they love. Humans aren’t made to experience life alone, yet many of us do. Even an action as small as a text or answering a phone call can be immense to someone else.”


Ella McCartney - Reverie

“My goal for this film was to transport viewers into a daydream by utilizing various forms of movement to relay the feelings of a dreamscape. The plot of the film, much like a dream, is open to interpretation. The goal is to allow viewers to project their personal life experiences into a meaning of their own.”


Sarah Cameron - Looks Like Me

Looks Like Me is a film about bridging the gap between where you are in life and where you want to be. Dance is used as a symbol to show that one day you will leave the studio, and experience opportunities that you once dreamed of.


Liam Hurley - Break Free

This short film leads us on the emotional journey of a male dancer through interpretive dance. It begins with the whimsy and innocence of youth, the joy of simple movement and exploration. Fond memories of running through the sand creating temporary art, swayed by the rhythm of the waves. With time, those memories fade, replaced by an awareness of self and others. Made conscious of being the only male in the room, feeling awkward and out of place. Encountering bullying and stereotypes that question one’s identity leading to self doubt and thoughts of giving up. Lifted up by family, friends and an instructor that never gave up, he finds his passion once again.


Anika Takahashi - Tempo

Tempo, often referenced from music, is significant in the realm of badminton. Badminton is categorized as a racialized sport resulting in absence in the film industry. When people look into the sport’s competitive side, the correlation between badminton and music surfaces. The rhythm from players’ squeaky shoes doing footwork, the crisp sound of the shuttle and racket in contact, and even the motion of the moving players on court are all aspects of badminton’s tempo. These characteristics can assist those who have yet to experience this form of music. Hopefully, people can look at the sport from a new perspective.


Crystal Zhu - Like A Toy

Following the lyrics to the song “Like A Boy” by Ciara, a girl fed up with the way men treat her reverses the roles, forcing them to ask themselves how would they feel if put in her situation.


Jenna Wadden - eureka!

“As humans, we take comfort in following paths journeyed by those before us. This is because we know these paths will lead to a life that we believe is successful. Following an uncharted path is scary, but if we choose not to follow it, we’ll never know if there was a treasure waiting to be discovered. My film eureka! is a celebration of emerging artists that have started the journey down their own path, and a reminder that every path is valid. A big thank you to Kiki and Ronan for their commitment to helping my vision come to life.”


Valeria Mondragon Varga - ‘Till reality tear us apart

Our teen protagonist is trapped in a routine of nothingness. She doesn’t have a reason to live, she is just surviving. She dreams of a new era where she can be with her loved one, Raven, and she’s no longer alone. Her soul and heart are in her dreams. But, there are consequences for not living in reality.


Artistic Committee

ARTIST MENTORS


Technology and Interaction Artist

Jasmine Liaw

In 2022, we hosted our first artist in residence, Jasmine Liaw, and her work in development SONIC COLOUR. Our Founding Artistic Director, Sophia Wolfe, interviewed Jasmine about her artistic practice and the ideas and mechanics behind SONIC COLOUR. Read the interview here.


Festival Workshops

Festival Screenings

Click on any screening event below to explore the films that were shown.


Our Supporters

We are incredibly grateful for the support we’ve received from funders, partners, sponsors, and individual donors—without them, F-O-R-M 2022 would not have been possible. F-O-R-M 2022 was supported by:

 

Studio Support for Commissioned Artists

What Lab